Medal design ideas – Keys as motifPosted: November 29, 2015
Due to what I feel is the success and the strength of my last sketch, it got me thinking that perhaps the strong point of these images is less about the hands, and tied into the set of keys which I am holding. It is after all the keys that show the representation of change in my life, that add the quality of subtlety in imagery to the piece.
Keys are objects which you always carry with you, and yet you never acknowledge. They are considered only upon the entering and leaving of the home, and are otherwise silent and inert objects. Unlike say a mobile phone, which is potentially carried on the person even more commonly than a set of keys, keys themselves have a very physical quality, a sense of permanence and importance about them. If we find an unknown key in the house, we cannot simply throw it away, what if we need that key some day, what if it unlocks something important? and so it is put in a drawer, forgotten about and silent, yet ever present and important. Not only do we always carry keys with us, the set of keys which we carry changes throughout our life, giving us access to new places, new opportunities, and are a physical representation of these changes. In this way, I think there are an excellent analogue for changes throughout life, as well as being something that is understandable and easily identified by the viewer, without being too heavy handed.
Over the past few years the set of keys which I have had has changed several times. I have gone from having simply the set of keys for my family home in the first year of university when I was living at home, to moving out in the second year and having a second set of keys (not represented in these sketches as I no longer have them to draw), and now in the third year having a new set of keys for my current flat. In the second year, although I had moved out of the family home I was still very closely tied to it, having to travel back there most days between trips to the hospital to visit my mother, and to walk the dog who was left alone in the house. Now in the third year, having moved in with two friends on the course I truly feel far more independent, and above all else in a very stable position, rather than the extremely vulnerable and isolated state I was in last year and constricted by my ties to the family home. This sense of independence, and the gradual lack of importance and distancing between myself and the family home is also reflected in the sets of keys I hold, with the family keys now being seen as simply one in a set of many keys, which is used infrequently. I have found it interesting to note by own behaviour when using my keys, in when I reach for my keys I automatically take hold of the flat key, even when I am visiting the family home, as I know I am returning “home” and my mind has classified the flat as where I feel most at home. In these sketches I have also looked at the use of key charms as markers in my lifetime, with charms such as my tesco clubcard representing a transition into a more adult life, and other charms such as the heart on a chain and the lion king having been given to me by men in my life.
After having had a presentation from a woman from the British Art Medal Society (BAMS) primarily to talk to the second year Makers about their BAMS brief for the year, it got me to consider the sense of scale and representation of place in a medal. Unfortunately I did not get any images or names of artists from the talk to reference, and I shall try and find these at a later point. This sense of scale could be very interesting when looking at the interplay between the two sides of the medal, perhaps with one face having an image relating to place, inherently seen at a more distant scale in order to view the place as a whole, and on the reverse then having a very close up image of the keys relating to that place. Scale could even be played with in terms of representing my own feelings in relation to that place, for example the family home being seen much further in the distance, whereas the flat door would be seen much closer.
In the same way that scale can be played with in terms of looking at place, perhaps incorporating place in relation to the keys.
While there are still many questions to answer, in terms of precisely what images I want to use, the relationship between the front and reverse of the medal, as well as between each medal in the set, I am feeling very strongly and positively about the use of keys as a motif. At the very least I now have a clear point from which to work from and to begin to distil the medal’s design.